MURINA – STUFF GALORE

MUZAI Records are pleased to announce the release of Stuff Galore, the newest work from genre-tripping duo Murina, out December 3rd 2021 on cassette and digital services.

Taking their name from the Finnish word for “growl”, Martina (bass, vocals) and Laura (drums) took up the mantle as it was “everything we wanted; easy to remember, pronounce, aggressive and a representation of our music.”

Currently based in Barcelona, with ties to Italy and Finland, the pair met through Martina’s advert for a drummer on Facebook; as fate would have it, not only did Laura answer but the two found a lot of common ground.

“We had a beer, we jammed, and discovered we had a similar taste in music, attitude and dreams” Martina explains. “It was a kind of astral connection.”

Those musical similarities included some female-focused acts (L7, Babes In Toyland, Sonic Youth) and the explosion of collegiate rock from the ‘90s (yep… we mean grunge), but as Stuff Galore illustrates, it’d be far too lazy to cite them as riot grrrl band; especially given that the members were in stoner-grunge and “evil pop” acts prior to Murina.

As Martina puts it: “we grew up listening to those bands, so it’s part of our rock ‘n’ roll self-consciousness. But we’re also fans of Fugazi, Big Black, Gang Of Four (…) we don’t think we can be classified as ‘one genre’ – we move through moments of punk, noise rock, experimental and yes there are some stoner elements there too.”

“But as opposed to the glossy bubblegum, we suppose we are a grunge act” Laura confirmed.

Those genre shifts are evident throughout the short yet succinct EP; the title track, now streaming on MUZAI Records’ Soundcloud from today, is an unruly roar of punk acrimony; “it´s quite representative of the band because it´s short, furious, and straight to the point” they both remark.

Yet, when “Sun Sun” commences immediately afterward, the pair venture into the realms of desert/stoner rock with hints of Kim Gordon-led Sonic Youth tracks.

“Our songwriting is very spontaneous” Laura clarifies regarding those influences. “Most of those connections (to their previous work, Wave The Brain) are unintentional. “Sun Sun” in fact was the result of Martina listening to a lot of Radiohead that week and the melody emerged from a beat I was trying out.”

“Wave The Brain is probably the easier listen, and with Stuff Galore we experimented more with structure and time signatures. There’s also that difference between songs – two are more longer and melodic (“Sun Sun”, “Why Are We?”) compared to our typical two-minute slap in the face.”

Having performed predominantly in their home base of Barcelona, including a hypnotic set at AMFest in 2020, Murina’s release of Stuff Galore is their tentative steps to start gathering steam outside of Spain. “We started the project before the pandemic, so once Spain shut down we decided to research and contact labels” Martina details. “I was checking new arrivals on Bandcamp and saw the latest release of Horror In Clay. I liked it a lot so I decided to check the rest of MUZAI back catalog: Fatangryman, Faux Machismo, Girls Pissing on Girls, Kitsunegari to name a few.”

“Those bands (and ours) are all very different but have the same goal, to sound free and loud.”

STUFF GALORE is available digitally and on cassette tape through MUZAI Records from December 3rd2021.

The Making of Stuff Galore

Recorded in a whirlwind of creativity, Stuff Galore captures Murina at their most raw and unfiltered. The EP was tracked live in a small Barcelona studio over two intense days, with minimal overdubs to preserve the duo’s explosive chemistry. Martina’s bass snarls through a wall of distortion while Laura’s drumming shifts from tight punk bursts to sprawling, hypnotic grooves. The result is a record that feels both immediate and timeless—a snapshot of two musicians completely in sync.

“We wanted it to sound like us playing in a room, not a polished studio product,” Laura explains. “There’s a lot of bleed between the mics, and we kept the mistakes if they had energy. That’s the whole point—stuff galore, you know? Too much of everything, but in a good way.” The title itself is a playful nod to the band’s maximalist approach: layers of noise, abrupt tempo changes, and vocals that veer from melodic to guttural without warning.

Track by Track

The EP’s four tracks showcase the duo’s refusal to be pigeonholed. Opening with the title track, a 90-second blast of punk fury, the record immediately wrong-foots listeners with “Sun Sun,” a slow-burning desert rock epic that stretches past the five-minute mark. “Why Are We?” follows with its brooding, almost post-punk atmosphere, while closer “Noise Complaint” returns to the frantic energy of the opener, albeit with a twisted, off-kilter time signature that keeps things unpredictable.

• Stuff Galore – A furious opener that sets the tone with its relentless drive and snarling vocals.
• Sun Sun – The EP’s longest track, built on a hypnotic bassline and Laura’s tom-heavy groove, evoking wide-open desert landscapes.
• Why Are We? – A moody, introspective piece with angular guitar-like bass lines and a haunting vocal melody.
• Noise Complaint – A chaotic, stop-start punk number that closes the record with a bang.

Influences and Evolution

While the band’s roots in ‘90s alternative rock are undeniable, Stuff Galore reveals a broader palette. Martina’s recent obsession with Radiohead’s rhythmic experimentation seeps into “Sun Sun,” while Laura’s love of no wave and early post-punk informs the jagged edges of “Why Are We?” The duo also cite contemporary acts like Metz and Idles as touchstones for their aggressive yet danceable energy.

“We’re not trying to recreate the past,” Martina insists. “Those bands gave us a language, but we’re speaking our own dialect now. The EP is about pushing ourselves—trying longer forms, weird structures, and letting the songs breathe even when they’re angry.” This evolution from their earlier work, Wave The Brain, is evident not just in song length but in the confidence of the performances. Where the debut was a raw statement of intent, Stuff Galore feels like a band hitting their stride.

Live Energy and Future Plans

Murina’s live shows are legendary in Barcelona’s underground scene—sweaty, loud, and often ending with both members drenched and grinning. The duo’s chemistry on stage translates directly to the EP, which was mixed to capture that same visceral impact. “We wanted the record to feel like a punch in the chest, the way our shows do,” Laura says. “If you can’t see us live, this should be the next best thing.”

With Stuff Galore now out in the world, the band is turning their attention beyond Spain. Plans for a European tour are in the works, along with a follow-up EP that promises even more experimentation. “We’re already writing new material,” Martina reveals. “Some of it is even heavier, some of it is weirdly melodic. We’re not interested in repeating ourselves.” For fans of uncompromising, genre-defying rock, Murina is a band to watch.

Physical Release Details

The cassette edition of Stuff Galore is a labor of love, featuring hand-numbered shells in a choice of two colors—blood red and bone white—with artwork designed by the band themselves. The J-card includes lyrics and liner notes, along with a download code for the digital version. Only 100 copies were made, making it a must-have for collectors of underground music.

“Cassettes are our favorite format,” Laura admits. “They’re cheap, they’re tangible, and they force you to listen to the whole thing in order. No skipping. That’s how we want people to experience this EP—as a complete piece.” The digital version, available on all major streaming platforms, includes a bonus live track recorded at AMFest 2020, giving listeners a taste of the band’s ferocious onstage presence.

For more releases like this, check out our EPs and Album Releases sections, or explore other artists on MUZAI Records such as DUHKQUNT – SPACE COMMUNION.